World war one poetry

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Poetry has been an outlet for storytelling and communication for centuries, from Virgil to Ted Hughes. War poetry began as a way of reporters to inform the public on how a battle was fought and how heroes of old won glorious victories. There was no emotion or opinion from the poets in the earliest poems; they were merely informative writings. The First World War spawned a new more sombre emotional form of war poetry. This new form of poetry went through a rapid evolution during the war and changed many people's common view of war. At the start of the war the poems were upbeat and propaganda driven. Near the end and after the war poems became emotionally charged tales of the travesty that is war. These new remorseful poems were backed up with visual aids that were never seen by the public in previous wars. The view and mentality of war had changed, as had the poetry.

At the star of the war propaganda was spreading through many forms. Newspapers, posters, radiobroadcasts and even poetry. These early propaganda poems were getting young men to enlist though their ways of convincing young men differ greatly. In Harold Begbie's Fall In he constantly questions the reader. Each verse follows the same rhyming pattern.

How will you fare, sonny, how will you fare

In a far off winter night,

When you sit by the fire in an old man's chair

And your neighbours talk of the fight?

Will you sink away, as it were from a blow,

Your old head shamed and bent?

Or say I was not with the first to go, But I went, thank God, I went?

Verse. ¾

Begbie questions the reader's obligation to his country. He shows how the general public who are pulling together for the war effort will look down upon you. In verse four Begbie even says that by not enlisting you are going against God's wishes,

Is it football still and the picture show,

The pub and the betting odds,

When your brothers stand to the tyrant's blow

And Britains call is God's.

This shows that the general publics view of war at the start of the war. They believed that war was God's battle against evil. Religion was a major part of everyday life at the time so going against God's will was frowned upon.

Jessie Pope's Who's for the Game? is like many propaganda poems. Its joyful tone, perfect rhyming and patriotic enthusiasm is perfect for public readings. Like Fall In this poem uses rhetorical questioning, however the questioning in this poem is much more upbeat than Fall In.

Who's for the game, the biggest that's played,

The red crashing game of a fight?

Who'll grip and tackle the job unafraid?

And who thinks he'd rather sit tight?

Verse. ¼

Pope does not give a very accurate portrayal of war but he gives the general view of war at the time. He continuously refers to war as a game. At this time these views were valid because there weren't any images from the actually battle fields until later in the war. These visual aids would be the first from any major battles.

Other poems at the start of the war had a much more chivalrous ideals. These poems were not as upbeat and questioning. These poems had a much more serious edge to them. Herbert Asquith's The Volunteer tells a story of a young clerk who dreamed of going to battle for the honour of his country and has died doing so. Asquith has chosen the occupation of a clerk to represent a monotonous joyless life.

Here lies a clerk who half his life had spent

Toiling at ledgers in a city grey,

Thinking so that his days would drift away

With no lance broken in life's torment.

He juxtaposes with the life and colour of battle; The gleaming eagles of the legions came.

Asquith's also portrays a view of war that many people share today. He dwells on the great honour and victory of the great battles of old. The clerk dreams of victory for his country. Here lies a clerk who half his life had spent…Who goes to join the men of Agincourt.

Rupert Brooke's poem Peace is another very idealistic poem. Unlike The Volunteer Brooke's poem looks at war like a gift from God. Now, God be thanked Who has matched us with His hour The poem thanks God for providing a generation with the opportunity to fight on the side of goodness. Asquith writes that complete peace can only be found within death and knowing that one has died for a cause. A personal peace. We have found release there, Where there's no ill, no grief, but sleep has mending

As the war progressed people's views of war changed drastically. The old honourable battles of old had been wiped away. Battles such as Ypres in 115 an 117 and the battle of the Somme in 116 distorted the ideals of battle. The huge death tolls and horrible pictures of death destroyed the minds of the soldiers and dropped the hopes of the homefront. As well as the views changing suddenly the poetry had as well. Poets such as Wilfred Owen and Siegfried Sassoon had now experienced the horrors of modern war. Their poetry now contained raw emotion of pure hatred and guilt of war. Their experiences made Sassoon take a very anti-war sentiment. In 117 Sassoon wrote a protest of war to the government. It states how he believes that men joined the cause under false pretence, I believe that the purposes for which I and my fellow soldiers entered upon this war should have been so clearly stated as to have made it impossible to be changed without our knowledge…. He also states how his experiences have helped to change his views, I have seen and endured the sufferings of the troops, and can no longer be party to prolonging those sufferings for ends which I believe to be evil and unjust…. Wilfred Owen and Siegfried Sassoon went on to change the views of the people and war poetry forever.

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