Friday, February 26, 2021

Comment On What View Of Indian Culture Is Portrayed In Amrita Pritam's Story: " A Stench Of Kerosene", Giving A Personal Response.

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A Stench of Kerosene is a story written by Amrita Pritam, and is about Indian culture. It focuses on the marriage between the two central characters, Manak and Guleri, and the way in which their relationship is affected by this culture. One of the key- points in this short story, is the difference between Eastern (as in the story) and Western marriage customs and views towards life in general. All of these factors are important in deciding on what view of Indian culture Amrita Pritam has portrayed.


Firstly, I shall examine the view of village life that is given in the story. This aspect is a part of the cultural setting and makes the story and the view in which it is told from, very distinctive. The role of men in this story is told as being primarily in manual labour, in fields and to run the family business. The role of the female however, and the mother inparticular, is the key role to examine. We find out that this is very matriarchal orientated society, and the majority of importance in the household is with the mother. The mother is a power-figure and has dominant control of the home and the whole family in general. This makes the story distinctive as the oldest male would usually be the highest figure in a household, but here the oldest female is portrayed as the main leader of the house. I am led to believe therefore, that Pritam has taken a very empowering view of women in society, not just because of the position of the mother in the family, but also because of the way in which Pritam demonstrates the mother's power. Pritam is leaning almost towards a feminist view, and may also be portraying the society either as very primitive, or highly advanced, it could go both ways. In general, Pritam's view of Indian culture in the village is very distinctive and gives the story added cultural depth.


Courtship and marriage customs is another topic, which Pritam has taken as a central theme to her story. Pritam tells us that there is not always courtship when two people meet. For example, when Manak wanted to marry Guleri he had to ask her father first, in order to 'settle the bride price'. This was what was expected of a young man. This gives conflicting views of females. Pritam portrays the mother as being the respected and powerful figure in a family, and then she also portrays women as being objects to be sold. There must, therefore be a heavy reliance on women becoming mothers in this society. Once both parties had agreed the price, the marriage customs are still dissimilar to Western culture. The bride has to move to the husband's village and home, and act as an 'adopted daughter in-law' of her husband's parents. Usually after marriage, the bride has to be cut off from her family and her old life. This is typical of Indian marriage customs in the way that women are treated as objects to be exchanged for money and used for social betterment. Pritam takes a stern view of marriage customs and is very frank in describing the relative brutality of the nature of marriage.


Following on from the previous section, relationships between husbands and wives is also another key topic in Pritam's study of Indian culture. We see that Manak is deeply in love with Guleri and he displays his affection, somewhat peculiarly, by begging Guleri not to go to the fair, as he is so strongly against his second marriage. He doesn't replace Guleri and show's no true affection towards his new wife, but is made to look like a deceitful and weak- minded man because of his mothers treasonous behaviour towards Guleri. This is not unusual for this culture as having an heir is a very important part of this society. In essence, a generation of a family only exists to preserve the next generation, to continue the families' role in society. The actions of Manak's mother, is a microcosm of Indian society and attitudes towards marriage. In this society, some marriages are seen as formalities, and even without love, they exist I am not his wife, just someone he happened to marry. The young wife is often viewed therefore, as having very little or no say in the running of a household. Pritam has a very harsh or callous view of marriage, and portrays it as being something that is very easily broken, and often is. However, we also get the idea that Pritam does understand the morals, ethics and sanctity of marriage, despite her heartless portrayal of it.


Similar to the last section, relationships between mothers and sons is also a central issue. It is a parallel theme along with Manak and Guleri's relationship. As I have said before, this society is very matriarchal and the mother is the power figure in a home. Manak demonstrates the great respect he has for his mother by saying in obedience of custom and my mother. Manak's mother takes control of his marriage against Manak's will, but he does not complain. She dismisses Manak's wants and feelings and acts to gain for herself. His mother is very demanding and Manak and the reader are led to believe that she is more of a controlling, masculine figure than a woman. Because she is not given a name, Pritam has dehumanised her. The mother's views of marriage are reflective of Pritam's as she is dismissive and callous towards the custom and basic moral. Pritam portrays these relationships between mothers and sons to be full of deep respect, but mainly about control and empowerment on the mother's part.


In my opinion, Pritam has portrayed this society as she would expect it to be. This may be based on experience, personal or through a family member, or maybe on her own knowledge of her culture. She makes a bold statement about important issues, which she feels strongly about, and maybe disagrees with certain aspects of this society and way of living. She addresses taboo's such as death, adultery and infertility comfortably and links them in to the story structure. However this story is viewed, it is certainly a tribute, to a culture separate perhaps to the one she lives in, and an important literary tradition. She sees herself as the voice of the nation and in a sense she has written an autobiography of the nation, including all of the distinguishing points of the culture, and all the points she wishes to protest against.


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