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Deep in the heart of every man lurks the undoing of his own illusion. What might take an entire lifetime to accomplish can be undone in a matter of moments; and all that is held dear, all that defines one's sense of self-importance, is shown to be the fragile thing it really is. In William Shakespeare's Tragedy of King Lear we discover the delicate balance of one man's station, and all it is dependent upon. The real tragedy of King Lear lies in wisdom gained too late. And here the great playwright illustrates, through one failed intention after another, that one must often lose the thing one holds most dear to learn what is truly valuable.
In the case of King Lear, his understanding of value is ill defined, and through several heart wrenching episodes he is forced to see the folly of misplaced trust. His raging tirades serve to alienate himself from the tentative and false endearment he maintains with his two daughters, Goneril and Regan. They are, of course, despicable in their ambition, but he is almost as outrageous in his tyranny. So, as with any parent, he is made to see what he has really taught his children. And having banished the only daughter who still loves him over some childish demands, he is bereft of any real comfort as his world begins to disintegrate.
Goneril and Regan make every effort to outdo each other for Ungrateful Wretch of the Year award, losing all shreds of decency as they coldly sever their filial bonds, and bolt after the calculating and equally greedy Edmund. But it is through contrast that we appreciate the few individuals who still exhibit higher qualities. We are happily relieved by the noble and redeeming character of the Earl of Kent as he risks his position to speak the words lesser courtiers fear to speak, urging the King to Reverse thy doom, …And, in thy best consideration, check…This hideous rashness, which enrages the King and results in his banishment. And only with such severe consequence could we see just how humble and beautiful Kent's nobility really is, with his role of servant illustrating true loyalty, caring little for the previous position he once held. For the role of silent protector is enough for the Earl, and sets him apart from others whose motives are largely selfishly motivated.
The Fool succeeds in retaining the one position of the court that the King still respects; his blunt chiding and teasing hold great wisdom, and Lear seems to sense his need for the Fool's insight. Warning of the King's fickle court, he sings, That sir which serves and seeks for gain…And follows but for form…will pack when it begins to rain…And leave thee in the storm. He is quite protective of his nuncle, and risks occasional bristling in spite.
Then there is Edgar, whose transformation is the most impressive of all. As Poor Tom, it is his pure heart that ultimately reaches the King, his compassion for the absolute anguish he witnesses that cracks the shell of the King's perceived isolation. Even the King himself recognizes the essential man before him when he declares, Thou art the thing itself; unaccommodated man is no more…but such a poor, bare, forked animal as thou art. Here the character of an insane man is closely examined, and what is revealed is a definition of true freedom. For in the assignment of sanity, it is the sane that are held captive by their judgment, occupying a large part of their fascination, leaving the insane with unhindered perspective. Edgar suffers all levels of pain, abandonment and betrayal, and in the depths of despair he finds a thing worth fighting for. His wisdom reduces the rampant injustice he endures when he realizes the mind much sufferance doth o'erskip…When grief hath mates, and bearing fellowship. Who better to comfort the bereft save the bereft? And who better to comfort the King than the outcast of a father whose lack of judgment is initiated by another jealous son? Here is a poignant irony--the victim comforting the cause of grief, seeing only another in pain. This would seem to be one of Shakespeare's quintessential themes, and truly a teaching from his own wisdom--that the crucible of unspeakable hurt can render a heart softened, so much so that one recognizes the suffering of another and dares to comfort. Lear makes his persona so fearsome that only the insane or outcast are willing to approach him, seeing him for who he really is, being stripped of their own inhibition.
To the worldly perception that takes only the here and now into consideration, the Tragedy of King Lear would seem only that--tragic. But truly a greater tragedy is averted--paralysis of the spirit. Edgar rises to the occasion; the Earl of Kent protects with a selfless love; Cordelia quietly awaits her father's return and gently nurses him back to health; Gloucester sees the truth when blind and, lamenting his wrath, wishes he could see thee [Edgar] in my touch…I'd say I had eyes again! As readers wish for a happier ending, but knowing what humans are capable of, and to what horrors we can stoop, find comfort in the transformation of the few souls who have nothing left to lose. The evildoers suffer the results of their actions when the heartlessness they so willingly dispense returns to them in full force. And even though the loss of good seems unfair, the depths of regret and its inherent wisdom could not be so beautifully represented without it. For through regret a lesson is driven home, and the possibility of repetition is reduced. Examining our faults and our nobility together with the relentless glass of truth, gives us a greater understanding of our shared motivation, leaving the stark and abiding realization that the timeless lesson of loss harbors the greatest power to show us what is most valuable and enduring, and how little it is dependent on the minute rules of men.
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